three topics

Adornment that enhances habitat, surroundings and living

Fine artists are working for the public. For many, our habitat is perceived instantaneously, in an encounter with light. That visual experience imprints our memories as a life experience and becomes our apprecaition of arts or aesthetics. The choices of adornements we live with are mostly based on those memories. Since my childhood, fine arts taught me to look into my environement for its qualities beyond its daily use or contemporary economy and market values. It is created for the spirit of the viewer to find ia mode of measure for oneself. I  wish to keep that stream of visual education in action.

Architectural glass designs are made for the people, composed of colours and glass and natural light. I understand my choice of this material came from the idea that it is as ubiquitous as seasons: dominant, muted, subtle and far-reaching as far as your soul or the poetry of the subject of the artwork may lead you. Glass may become a view outside the ordinary course of life, a transmitter and receiver of energies, of preternatural abstraction; of sensation and significance in suspension, elevation and in extension, projection, reverberation, transparency and translucency. Glass is a volume in all the dimensions in time, space, body, and mass.

Eco Logics applied to arts

I am motivated to give to the viewers of the artwork the sensuality and beauty of our planet and I follow some Eco Logics on a regular basis with my private and work choices. 

I challenge myself with presentations of a world at first glance imperceptible, using for that purpose  different qualities of media. The media are in accordance with the subjects of each creation.

Unpretentious dialogue with the enthousiast

I hope that by offering to viewers my perception of the living, we would come to a dialogue squaring up with modesty to  the reality  of private or community needs when it comes visual arts.